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	<title>
	Comments on: Time for a Studio Tune Up	</title>
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	<link>https://voiceover-talent.com/2011/04/26/time-for-a-studio-tune-up/</link>
	<description>Voice-over talent and on-camera spokesperson specializing in corporate communications/presentations, commercial broadcast advertising, cable-network.</description>
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		By: J.S. Gilbert		</title>
		<link>https://voiceover-talent.com/2011/04/26/time-for-a-studio-tune-up/#comment-97</link>

		<dc:creator><![CDATA[J.S. Gilbert]]></dc:creator>
		<pubDate>Wed, 27 Apr 2011 15:56:05 +0000</pubDate>
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					<description><![CDATA[the meters that are used in varying equipment and software, even when they are based on the same scale, can be quite a bit &quot;off&quot;. I&#039;m even confused sometimes when I look at a wav file, for example one the other day that looked so very similar to one of mine, didn&#039;t seem to be heavily compressed, yet to my ears appeared to be much louder.

In the end, I think for me at least, providing the best quality audio I can means not just having decent gear, but also being able to set it up so that as an actor, I no longer need to concern myself with also being the engineer. As such, I have no meters, dials or anything to tweak once I&#039;m in that booth. I try to make the experience as much as possible match that of when I get to go to a pro studio. 

Having gear you can trust certainly goes a long way towards making that happen. I&#039;m sure no matter what you ultimately decide to go with, your clients will love what you give them.]]></description>
			<content:encoded><![CDATA[<p>the meters that are used in varying equipment and software, even when they are based on the same scale, can be quite a bit &#8220;off&#8221;. I&#8217;m even confused sometimes when I look at a wav file, for example one the other day that looked so very similar to one of mine, didn&#8217;t seem to be heavily compressed, yet to my ears appeared to be much louder.</p>
<p>In the end, I think for me at least, providing the best quality audio I can means not just having decent gear, but also being able to set it up so that as an actor, I no longer need to concern myself with also being the engineer. As such, I have no meters, dials or anything to tweak once I&#8217;m in that booth. I try to make the experience as much as possible match that of when I get to go to a pro studio. </p>
<p>Having gear you can trust certainly goes a long way towards making that happen. I&#8217;m sure no matter what you ultimately decide to go with, your clients will love what you give them.</p>
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